2025 - now Xianger｜享耳 「Hushed Reverbations」 explores how images come into being and how they enter into relationships with people. Photography selects fragments from the continuum of reality, shaping them into images through framing, scale, time, and light. In this process, the landscape is preserved and reorganized. When an image re-enters reality on a screen, on paper, or in another form, it encounters the viewer’s body, memories, and expectations, giving rise to a new experience of seeing. The work examines the connections and shifts between these two transformations: how things become images, how forms within images are recognized as objects, and how recognition develops into understanding, associations, and feelings. The relationships retained, excluded, or altered through selection continue to shape the world as we see it. The six chapters approach this process through experience, objects, duration, remnants, withdrawal, and the gradual weakening of distinctions. By adjusting the conditions under which images are formed and viewed, the work seeks to make familiar, often unnoticed relationships perceptible again: how we come to know the world through images, and how we give images new meaning through looking. 「Reverberation」unfolds within these continuing relationships. The scene leaves traces in the image; the image takes on new forms through viewing; and the experience that remains shapes how we next encounter the world. - 「静默的回响」围绕图像如何形成，以及图像如何与人发生关系展开。 摄影从连续的现实中选择片段，通过边界、尺度、时间与光线建立图像。景观在这一过程中被保留，也被重新组织。当图像以屏幕、纸面或其他形式再次进入现实，它又与观者的身体、记忆及期待相遇，形成新的观看经验。 作品关注这两次转化之间的联系与偏移：事物如何成为图像，图像中的形态如何被辨认为对象，辨认又如何进一步形成理解、联想与感受。那些在选择中被留下、被排除或被改变的关系，持续影响着我们所见的世界。 六个章节从经验、对象、持续、残留、撤退与差异的趋弱进入这一过程。通过调整图像形成和被观看的条件，作品试图使某些习以为常的关系重新变得可感：我们凭借什么从图像中认识世界，又如何在观看中赋予图像新的意义。 「回响」发生于这些不断延续的关系之中。现场在图像里留下痕迹，图像在观看中获得新的形态，而观看之后留下的经验，又参与我们下一次面对世界的方式。