2024-now

Xianger｜享耳

「DIMENSION」 begins with the remnants produced through ceramic trimming, examining how attrition and order continually shape one another. Form is not achieved through shaping alone; it is also defined through continuous removal. Each act of removal, in turn, alters the conditions under which the next order can emerge. The work traces what is usually concealed by a finished state—the material that has been cut away, the weight that has been lost, and the former states that can no longer be returned to. Here, remnants are not waste, but material evidence of a certain negative form: they point toward a body that no longer exists, yet continues to participate in defining what remains before us. - 「重」从陶瓷修坯产生的残余物出发，研究消磨与秩序如何彼此塑造。 形态并非单纯通过塑造获得，也在持续的去除中被规定；而每一次去除又改变下一次秩序得以成立的条件。 作品试图追踪那些通常被完成态遮蔽的部分——被削除的物质、失去的重量以及无法返回的先前状态。 残余在这里不是废弃物，而是某种负形的物质证据：它指向一个已经不存在，却仍参与定义眼前之物的身体。